Hyperlocal was composed by Melissa Grey and is scored for bass clarinet and sine waves that slowly ascend and descend, venturing beyond the range of human hearing. A quiet beat is audible throughout and signifies the arrival of a new frequency. Within this slowly evolving droning texture, the lowest range and darkest timbre of the bass clarinet are explored.

For version 2.0 Melissa invited me to add a layer of programmed beats.